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Tips & stuff

Thanks for checking out our photography tips & stuff. This section is going to be like a catch-all for miscellaneous photography tips, tricks, news, and stuff that I find interesting. It should be a pretty neat section. To be honest with you, I'm pretty excited to see what shows up here myself. Enjoy!

 

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Photographing Fireworks

Interested in photographing fireworks? Here are a few things you should know. (Results may vary depending on your camera's make and model) 

1. Be steady. If you have a tripod, use it. If you don't have one, find a stable  surface to put your camera on (a seat, backpack, rock, etc). A remote or cable-release will also ensure your shots are sharp. If your timing is good, use the camera's self-timer (2-second setting).  Sometimes you can see the fireworks propelling into the sky before they burst. Activating the self-timer timer during this moment is a great way to capture the fireworks display.

2. Composition. It's difficult to know where to aim the camera until you've seen the fireworks display. One way around this is to zoom-out so that your camera covers a wider area of the sky, which will hopefully include the surrounding cityscape as a point of reference.

3. Take control. If you're using a camera that offers manual control, try setting your aperture somewhere between f/8 and f/16, with a shutter speed of around 2-3 seconds. Depending on the fireworks display, you'll want to adjust those settings. Keep the ISO as low as possible.

4. Scene Mode. If your camera does not offer manual control, then it should offer what's called "scene modes". Select the Fireworks scene mode on your camera, and your camera will automatically set the aperture and shutter speed to a specific setting. If your camera does not have a Fireworks scene, use the Landscape scene.

5. Save the flash. Firework displays are very bright, so no flash is needed. Did you know the flash on most point-n-shoot cameras only covers a distance between 6 and 10 ft ?

6. Shoot early. Firework displays put out a lot of smoke. Photographing bursts at the beginning of the show will have much less smoke in the sky and will provide cleaner-looking photos.

7. Trial & Error. Take lots and lots of pictures, and experiment to achieve the results you're after. With  photography, rules are meant to be broken.

Oh, and don't forget to: charge your batteries, bring extra memory cards, and bring a small flash light so you can adjust your camera's settings in the dark.

Have fun!

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FocusTree Welcomes Rocky Mountain Active 20-30 Members

Congratulations on becoming a member of the Rocky Mountain Active 20-30. Like you, we’re very proud to be affiliated with RMA20-30. The women of RMA20-30 share a mission to raise awareness and funds for local at-risk and disadvantaged youth through fundraising projects and events. We too understand the importance of giving back and helping others in-need -- especially to the communities in which we live.

To show our thanks to you, we’re offering all Rocky Mountain Active 20-30 members exclusive discounts on our photography services.

See your chapter's Board members for details.

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Drop Your Drawers for a Good Cause

FocusTree Photography is proud to sponsor UNDERWEARNESS, Inc in this year's "Drop Your Drawers & Run Wild" event on  August 27, 2010.

Join UNDERWEARNESS for an evening of fun with a 5K run/walk through City Park, or a 1-mile walk through the Denver Zoo. Enjoy live music, after-hours zoo viewing, food and beer garden, and a chance to win prizes!

5K run/walk: $30 for all
Zoo walk: $20 for adults and children 13 and up; $10 for children 12 and younger (ages two and under are free)

All registrations include: an event t-shirt, one drink ticket, the opportunity to Drop Your Drawers (drop a package of children’s underwear for the chance to win great prizes), and entrance to the zoo for this private evening event.

The 5K run/walk follows the Mile High Loop at City Park.

Free parking is available in the parking lots or garage adjacent to the Denver Zoo.

To register for this event, click here.

 

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Joe's coming to Denver

"Joe McNally (regarded as one of the world's best shooters and author of the ground-breaking smash best-selling book The Moment it Clicks) launches a nationwide lighting tour uncovering the secrets to using off-camera flash and on-location lighting to create the look you see in professional publications."

I've seen Joe once before at a conference in Atalnta, and I'm absolutely thrilled that he's coming to Denver to speak about lighting. He's amazingly talented when it comes to portable lighting, and he's known for his ability to light just about anything anywhere with the use of wireless flash.

If you're looking to take your off-camera lighting to the next level, you better register soon.

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10 Tips to Get You Going Again

Tip # 1. Learn the different modes of your camera.

Compact cameras, also called "point-n-shoots", use icons to represent the parameters for a particular scene. These icons are called screen modes. The objective is allow the user to choose a mode that best represents the current shooting condition. (See your camera's manual for a description of each scene mode)

Under most conditions, using your camera's scene modes will work just fine. However, you may find yourself in conditions where the camera is not able to properly capture the scene.

Most advanced cameras use letters to indicate the different camera modes. These cameras allow the photographer to tell the camera what parameters to use, thus, giving greater control over how the scene is recorded.

Mid-level consumer cameras use a combination of both letters and icons.

Tip # 2. Hold the camera steady.

Hold the camera steady with your elbows close to your body, or propped on something stable (table, bench, etc.). If all else fails use a  tripod. Most of the questions I receive stem from blurry photos. Learning proper camera-holding techniques, or finding something steady to rest your camera on will resolve most blurry photo issues.

Tip # 3. Check your background.

Before you press that shutter button, be sure to check your background. Is there a fence post or tree branch in the background? Make sure it's not appearing directly behind your subject.  Otherwise, when you get your photos back from the printer, your subject may look as though he has antlers. One of most common places for distractions in digital photography is the background.

Tip # 4. Learn from your mistakes.

No one's perfect. If your photo looks blurry, too dark, too bright, or too blue, make note of your camera settings and try adjusting a particular setting. If the color looks weird, try a different white-balance setting.  If the photo is blurry, check your camera-holding technique, place the camera on a stable object, or turn on your flash. If the photo is too dark or too bright, check your ISO, and check your aperture and shutter speed.

Resolving what went wrong, means you'll know what to do the next time a similar problem occurs.

Tip # 5. Ask yourself this question.

What is my subject? As you look through your camera's viewfinder, or at the LCD screen on the back of your camera, ask yourself, "What is my subject?" Is it the group of people standing on the side of the street? Is it the parked car alongside the road? Or is it the store sign hanging in the window?  Make sure you've composed your scene so that your subject is easily identified.

Tip # 6. Get in close.

For more dramatic photos, get in close to your subject. Whether you're photographing flowers, a person, a butterfly, or a car, include just enough in the picture to tell the story of the scene. Shots that fill the frame with your subject tend to be much more dynamic and show a lot more detail of your subject. To get this effect, you have the option of moving closer to your subject, or using a telephoto lens.

A field of flowers can be beautiful, but sometimes getting in close to one or two flowers can tell a much more dramatic story.

* The downside of getting too close to your subject is the potential cropping by your photo lab if you're printing larger than 4x6. It's a complicated story. So get close, but not too close if you're going to print the photo.

Tip # 7. Takes lots of photos.

A good way to learn photography is to take lots of photos. Most photographers will tell you, for every one hundred photos you take, expect to have 5 really good ones. It's true, unless you're fortunate enough to be in paradise on an overcast day. Best of all, when you take lots of photos, you can... (See Tip #4)

Tip # 8. Challenge yourself.

I love to challenge myself by taking photos in places where the light is mixed and coming from different sources, or places where there's barely any light at all. It's an excellent way to learn about your camera's capabilities, as well as your own technical and creative skills. Try something different with your photography. Ask yourself, "I wonder if I could photograph...." Digital technology allows us the freedom to experiment with our photography without spending a dime.

If you're a DSLR user, try shooting with a fixed prime for one day, or try to guess what manual settings will yield the proper exposure in different environments.

Tip # 9. When in doubt, rent!

Most major cities have photography equipment rental stores. It's a wonderful way to try out expensive equipment for a fraction of the cost. Be sure to call and make your reservations in advance.

Tip # 10. Have fun.

Take your child, or a friend to the park and take turns with the camera. Be silly. Have fun.

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Taking Your Digital Camera On The Road

I love traveling, but what I love most about traveling is sharing photos of my trip. From extended vacations, to short weekend trips with family, I always travel with a camera. You just never know when a photo opportunity will arise.

Of course, when traveling with a camera, there are many things to keep in mind. Here are just a few tips to help keep your camera safe during your next vacation.

1. Keep it close. Keep your camera and equipment near you at all times. In fact, don't just hang your camera strap on your shoulder, place the strap around your neck and pass one arm through the strap.

2. Stealth mode. Keep your camera equipment in a case or bag that doesn't scream "expensive stuff inside". I carry a Lowepro Flipside backpack when traveling. The cool thing about this backpack, is that the main compartment can only be accessed from the "flip-side" of the bag (the side that rests on your back). This is perfect for over-crowded buses and trains.

3. Airport security. Do not pack your digital camera in a checked-bag. Keep it with you at all times. Airport x-ray scanners will not affect your memory cards, so don't be afraid to take your camera on the plane with you. Film cameras, however, are a different story. Check TSA policies and warnings before traveling with film.

4. Weather. Check the forecast of the areas in which you'll be traveling. Bring the appropriate protection for your camera if you think you'll be out in the elements. A waterproof case or plastic bag will suffice if it's raining. If you're traveling someplace where the temperature will be near or below freezing, bring lots of batteries. Batteries drain much faster in colder temperatures.

5. Insurance. Consider getting insurance for your camera equipment. Your camera typically sees a lot of action on vacations. This increases your chances of dropping or mishandling your camera. It also increases the chances of your camera being stolen. Make sure your insurance plan properly protects your photo equipment.

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